Maximilian Gililov
Conductor · Pianist
Maximilian Gililov brings together a soloistic understanding musicianship and ensemble performance to the world of Symphonic & Opera repertoire.
ABOUT
Maximilian Gililov
Being fluent in five languages, including German, English and Russian, Maximilian feels at ease working in international workspaces.
Born into a family of musicians and raised in the musical tradition of pianist Pavel Gililov, Maximilian began his career as a pianist before turning increasingly towards conducting. His passion for jazz draws him toward the works of George Gershwin and Nikolai Kapustin.
He studied Concert Piano at the University Mozarteum Salzburg with Jacques Rouvier and Yaara Tal, and subsequently began his studies in orchestral conducting with Ion Marin and Alexander Drčar. He has worked in conducting masterclasses with internationally renowned conductors including Johannes Schlaefli, Uroš Lajovic and Sergey Smbatyan.
As a conductor, Maximilian has worked with ensembles including the Dubrovnik Symphony Orchestra, Mozarteum Academy Orchestra, Bad Reichenhall Symphony Orchestra and Klassische Philharmonie Bonn. His artistic work also extends into music theatre, where he has worked as both répétiteur and conductor.
Alongside conducting, he remains active as a pianist, chamber musician and private tutor. In 2026, he completed his Master’s degree in Music Theatre Coaching in the class of Alexander Vitlin and made his debut as a librettist for a production of Die Fledermaus.
ARTISTIC APPROACH
“[...] a force that dictates emotion.”
My approach to conducting has been shaped equally by the piano, the voice and the collective experience of ensemble music.
Symphonic repertoire
Dittersdorf
- Double Bass Concerto in Eb Major
Mozart
- Symphonies No. 31, 33, 38 and 40
- Serenade for orchestra KV 250 (Haffner)
- Piano Concerto No. 9, 12, 20
- Concerto for Two Pianos KV 365
- Oboe Concerto in C major, K.314
- Violin Concerto No. 5
Beethoven
- Symphonies No. 1, 3, 5, 6, 7, 9
- Egmont Overture
- „Weihe des Hauses“ Overture
- Leonora 3 Overture
- „König Stephan“ Overture
- Piano Concertos 1, 3 and 5
Mendelssohn
- Symphony No. 4
- Märchen von der schönen Melusine
- Ein Sommernachtstraum
Brahms
- Symphony No. 4
- Variations on a Theme by Haydn, Op. 56
Schubert
- Symphony No. 4
Schumann
- Piano Concerto No. 1
Johann Strauss II
- An der schönen, blauen Donau
- Fledermaus-Quadrille
- Rosen aus dem Süden, Op. 388
Tchaikovsky
- Symphonies No. 2, 3, 4, 5 and 6
Dvořák
- Serenade for Strings, Op. 22
- Symphony No. 9
Lalo
- Symphonie Espagnole, Op. 21
- Arlequin
Rimsky-Korsakoff
- Scheherezade
Mussorgsky
- Pictures at an Exhibition
Rachmaninov
- Piano Concerto 1, 2, 3, 4
- Rhapsody on a Theme of Paganini
Chopin
- Piano Concerto No. 2
Dukas
- L’Apprenti Sorcier
Saint-Saëns
- Le carnaval des animaux
Debussy
- Prélude à l’après-midi d’un faune
- Petit Suite (pour orchestre)
Ravel
- Daphnis et Chloé
- La Valse
Shostakovic
- Piano Concerto No. 1 and No. 2
Stravinsky
- Le sacre du printemps
- L’Oiseau de feu
- Concerto in D
Gershwin
- Rhapsody in Blue
Opera Repertoire
Mozart
- Le nozze di Figaro
- Don Giovanni
- Così fan tutte
- Die Zauberflöte
Donizetti
- Don Pasquale
- L’elisir d’amore
Strauss II
- Die Fledermaus
- Waldmeister
Puccini
- La Boheme
- Tosca
- Madama Butterfly
Rossini
- Il barbiere di Siviglia
- L’Italiana in Algeri
Weber
- Der Freischütz
- Oberon
Lehar
- Die Lustige Witwe
Rachmaninov
- Aleko
Stravinsky
- Histoire du Soldat
- The Rake’s Progress
Concerts
Die Fledermaus
CONTACT
© shirley suarez