Maximilian Gililov

Conductor · Pianist

Maximilian Gililov brings together a soloistic understanding musicianship and ensemble performance to the world of Symphonic & Opera repertoire.

ABOUT

Maximilian Gililov

Being fluent in five languages, including German, English and Russian, Maximilian feels at ease working in international workspaces.

Born into a family of musicians and raised in the musical tradition of pianist Pavel Gililov, Maximilian began his career as a pianist before turning increasingly towards conducting. His passion for jazz draws him toward the works of George Gershwin and Nikolai Kapustin.

He studied Concert Piano at the University Mozarteum Salzburg with Jacques Rouvier and Yaara Tal, and subsequently began his studies in orchestral conducting with Ion Marin and Alexander Drčar. He has worked in conducting masterclasses with internationally renowned conductors including Johannes Schlaefli, Uroš Lajovic and Sergey Smbatyan.

As a conductor, Maximilian has worked with ensembles including the Dubrovnik Symphony Orchestra, Mozarteum Academy Orchestra, Bad Reichenhall Symphony Orchestra and Klassische Philharmonie Bonn. His artistic work also extends into music theatre, where he has worked as both répétiteur and conductor.

Alongside conducting, he remains active as a pianist, chamber musician and private tutor. In 2026, he completed his Master’s degree in Music Theatre Coaching in the class of Alexander Vitlin and made his debut as a librettist for a production of Die Fledermaus.

© shirley suarez

ARTISTIC APPROACH

“[...] a force that dictates emotion.”

My approach to conducting has been shaped equally by the piano, the voice and the collective experience of ensemble music.

Symphonic repertoire

Dittersdorf

  • Double Bass Concerto in Eb Major

Mozart

  • Symphonies No. 31, 33, 38 and 40
  • Serenade for orchestra KV 250 (Haffner)
  • Piano Concerto No. 9, 12, 20
  • Concerto for Two Pianos KV 365
  • Oboe Concerto in C major, K.314
  • Violin Concerto No. 5

Beethoven

  • Symphonies No. 1, 3, 5, 6, 7, 9
  • Egmont Overture
  • „Weihe des Hauses“ Overture
  • Leonora 3 Overture
  • „König Stephan“ Overture
  • Piano Concertos 1, 3 and 5

Mendelssohn

  • Symphony No. 4
  • Märchen von der schönen Melusine
  • Ein Sommernachtstraum

Brahms

  • Symphony No. 4
  • Variations on a Theme by Haydn, Op. 56

Schubert

  • Symphony No. 4


Schumann

  • Piano Concerto No. 1


Johann Strauss II

  • An der schönen, blauen Donau
  • Fledermaus-Quadrille
  • Rosen aus dem Süden, Op. 388

Tchaikovsky

  • Symphonies No. 2, 3, 4, 5 and 6

Dvořák

  • Serenade for Strings, Op. 22
  • Symphony No. 9

Lalo

  • Symphonie Espagnole, Op. 21
  • Arlequin

Rimsky-Korsakoff

  • Scheherezade

Mussorgsky

  • Pictures at an Exhibition

Rachmaninov

  • Piano Concerto 1, 2, 3, 4
  • Rhapsody on a Theme of Paganini

Chopin

  • Piano Concerto No. 2

Dukas

  • L’Apprenti Sorcier


Saint-Saëns

  • Le carnaval des animaux

Debussy

  • Prélude à l’après-midi d’un faune
  • Petit Suite (pour orchestre)

Ravel

  • Daphnis et Chloé
  • La Valse

Shostakovic

  • Piano Concerto No. 1 and No. 2

Stravinsky

  • Le sacre du printemps
  • L’Oiseau de feu
  • Concerto in D

Gershwin

  • Rhapsody in Blue

Opera Repertoire

Mozart

  • Le nozze di Figaro
  • Don Giovanni
  • Così fan tutte
  • Die Zauberflöte

Donizetti

  • Don Pasquale
  • L’elisir d’amore


Strauss II

  • Die Fledermaus
  • Waldmeister

Puccini

  • La Boheme
  • Tosca
  • Madama Butterfly

Rossini

  • Il barbiere di Siviglia
  • L’Italiana in Algeri

Weber

  • Der Freischütz
  • Oberon

Lehar

  • Die Lustige Witwe

Rachmaninov

  • Aleko

Stravinsky

  • Histoire du Soldat
  • The Rake’s Progress

Media

Concerts

Dezember 12, 2026 12:00 a.m.

Die Fledermaus

Martin, Slovakia
Turiec Musicians Assosiation

© shirley suarez

ARTISTIC APPROACH

My path as a conductor began during my piano studies. I gravitated toward arrangements of orchestral works for the piano and became increasingly fascinated by symphonic repertoire. This in turn opened the world of opera to me, asomething I had previously approached with hesitation because of the intimidating  scale and complexity of the works. I eventually chose conducting as an elective study and was highly encouraged by my teachers at the time to pursue it as my main focus. It is clear to me that it is the artistic language which is the most suitable to me and in which I most want to work.

My experience as a pianist is, inevitably, central to my understanding of conducting. My piano teachers, Jacques Rouvier and Yaara Tal, taught me to think ahead of the music, to maintain a sense of direction and phrasing rather than merely reacting to the moment. This principle has become fundamental to the way I approach conducting. To me, music is a force that dictates emotion, and the conductor’s task to remain sufficiently ahead of that force to give it direction while remaining responsive to the musicians who generate it is as demanding as it is rewarding. The non-verbal communication between conductor and ensemble and the collective shaping of a musical phrase are the most intellectually and spiritually stimulating aspects of my life.

I also believe that my background as a singer has profoundly influenced my approach to conducting. I was a member of the Salzburg Festival Children’s Choir during my adolescent years, and since 2023 I have served as chairman of my own vocal ensemble, Vokalensemble Sonance. Since 2024, I am also a member of the Bachchor Salzburg. These experiences have given me an instinctive understanding of vocal phrasing, breathing and text, as well as the practical realities of working collectively in rehearsal. My work during my Master’s degree in Music Theatre Accompaniment, which I will complete in October 2026, has strengthened this connection further. Accompanying singers and conducting them from the piano has enriched both my pianistic and conducting abilities.

Alongside this work, I have pursued conducting as a second undergraduate field of study with Maestro Ion Marin for the past two years, a course of study I will complete in summer 2027.